as a MUSICIAN, i put most of my energy into the albums of Roxy Radclyffe, which typically involve some overwhelming clusterfuck of hyper-specific concepts & sounds. when i'm not doing that, i release prolifically under a variety of ALIASES, each with its own distinct style & theme, just waiting to be explored by whoever deems them sufficiently interesting. do not be overwhelmed by the absurd amount of total albums; i have never expected anyone to hear literally everything i've ever released, and strongly advise against even attempting that! i believe completionism for its own sake is a disease, and would much prefer you treat my discography as a Choose Your Own Adventure. i am confident that it contains at least something for everyone.

as a FILMMAKER, i take special interest in forming relationships between the stasis of abandoned virtual environments & the fragility of our physical world, using this uncanny contrast to tell stories & non-stories of isolation, love, fear, hilarity, trauma, transcendence, and whatever the fuck else happens to be relevant.

as a DESIGNER of album covers, i tend to favor visual maximalism, both as a simple matter of preference, and out of desperate necessity. with a perpetually-growing library of image sources (including my own PHOTOGRAPHY), this increasingly intricate collage-based style of mine was always an inevitability. thankfully, my numerous musical ALIASES provide ample room for me to thoroughly explore a wide range of aesthetic interests. beyond musical contexts, i've also developed an affinity for PAINTING, which usually entails surreal depictions of furries & impossible architecture.

as a VIDEOGRAPHER, i got my start as a 7-year-old in 2010 by messing around with the built-in visual effects offered by my laptop's webcam at the time, spawning unhinged recordings i would then edit in Windows Live Movie Maker. from there, i would attempt recapturing the chaotic glory of my favorite YouTube Poops — even to the point of outright plagiarism, because i did not know any better — using free trials of various editing software that nobody has ever heard of, such as AVS Video Editor and PowerDirector, until finally settling on Vegas Pro in 2012, which i have stubbornly stuck with ever since, no matter what is deemed "industry standard". nowadays, my editing abilities are primarily utilized for VIDEO ESSAYS, MUSIC VIDEOS, and NONSEQUICORE (a subgenre of YOUTUBE POOP).

as a WRITER, i have two wolves inside me; one is unflinchingly confessional and prefers to speak colloquially, while the other is rooted deep in my stream of consciousness and prefers to speak incomprehensibly. these seemingly incongruent approaches manifest in a variety of combinations, typically in the context of LYRICISM, BLOGGING, POETRY, or LITERATURE. with that in mind, much of my writing could be described as an ongoing conversation with myself and the innumerable iterations thereof, sometimes quite literally, depending on the gaps between sessions. i enjoy getting lost in my own thoughts for so long that you'll have forgotten where we even started. i enjoy the catharsis of plainly illustrating my own derangement. i enjoy articulating my frustrations with the world around me. i enjoy provoking critical thought. i enjoy drowning you with unbridled nonsense. i enjoy many other modes of operation that i am surely forgetting right now. all of these things can be true at once.